Josep Llinãƒâ S Atlãƒâ Ntida Performing Arts Centre Vic Osona Spain Floor Plans

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Introduction

The new Performing Arts Center of Osona, Atlantis, replaces the ancient theater of the same name which closed in 2002 considering of the aluminosis.

Projection Objectives

In the words of Josep Llinàs The project was structured around iii objectives:

• Understand the construction as a continuation of the metropolis and make it a bespeak of attachment to the natural space.
• Create each of the areas of Atlantis according to the dominicus, geometry and covers respecting the construction and scale individually. The challenge was to utilize the same system for all spaces, especially when including the volume of the stage.
• Utilize admission "Tin Serratosa" that reaches the free space as the backbone that places and gives admission to all parts of the circuitous. Too the use of the sloping roof, the highest indicate of the stage descends and unfolds to encompass porches and classrooms.

State of affairs

The Auditorium Theatre Atlantis is located in a complex urban surroundings. To the due north it borders the backyards of some depression houses between political party located in the streets Bisbe Torras i Bages. Due east borders the old quarter of tanneries, faced with the medieval walls of the old boondocks, and south by the Mèder River in the town of Vic, Osona, province of Barcelona, Catalonia, Spain.

Concept

The project Fifty'Atlàntida is irregular, spiral, with a spectacular game decks and various internal connections that simulate the urban structure of an old town, concepts held by Josep Llinas rated Leave your vote and your squad when designing commissioned by the council of Vic, a work that emphasizes the human relationship of the edifice with its surroundings.

Clarification

Floor coverings

The cover huge faceted designed by architect begins at the level of the courtyards of the houses on the block to climb to the height of the phase over 20 meters high and course a new facade facing the river Mèder at other side of the building where the main entrance is located. This facade is porous and rear porches become a city open to new expansion forepart that opens to the south and west of Vic.

• Facades

The facades are minimized as targeting existing buildings and are used to ventilate and illuminate those parts of the program that require it, such as the School of Music or eating house. When these form the outer boundary are finished in black stone. When formed by a cut between the various folds of the cover, more introverted and a acme greater than the above, sometimes overlapping them in a plane delayed several meters, are finished in sleeky canvass brass, gold.
Much of the volume is buried required to harmonize the building with the surround that tin withstand high.

Strategy

The project strategy was based on the desire to provide a edifice to seek support in the existing environment while trying to deliquesce the solar lines do not lie against any building.

Can Serratosa

House Serratosa

On the street Torras i Bages, a house, Can Serratosa, erstwhile School of Music of the city for utilise by hosting the common parts of the new circuitous was recovered. This tardomodernista style building, designed by Manel Joaquim Raspall, consists of basis floor and two floors with the main facade open to one side of the plot, long and narrow.

This gesture has been used to give the building a public inner passage connecting the river with the city through it, vertebrando unabridged program and giving urban sense, connecting various open courtyards between fold and fold the cover on a tour semiexterior.

Spaces

The new Atlantis space housed inside a very complex programme, consisting of a theater, an auditorium, a music school and a bar and eatery, thus making room for all the performing arts. It likewise has an secret parking area

Chambers of Atlantis

• The Teatre Ramón Montanyà

The Ramón Montanyà Theatre has a capacity of 800 seats with optimal space, functional and technical conditions allowing host shows medium and large format, whether classical, musical or lyrical theater and classical and contemporary dance.
The tool is 168m2 phase expanse and stage surface area is 20 meters loftier, housing a modular audio-visual vanquish.

• Joaquim Auditorium Maideu

Folding Grandstands

The auditorium has a variable capacity of betwixt 280 and 384 locations depending on the configuration, as needed, since it has retractable bleachers and hydraulic stage. The two side galleries are folded by an automated telescope system. One time collected the stands, its side shut as about protecting the rostrum and overlapping on the back wall. This system of telescopic grandstand and mobility of the side walls allow versatility

Is the preferred room for music, merely tin can besides arrange theater, banquet space or set of audiovisual productions. Their spatial versatility and conceptual simplicity makes information technology one of the most versatile rooms Atlantis.

• School of Music and Solarium, EMVIC

The music school has 49 classrooms, 7 studios, logistics spaces, offices and reception. Information technology too has built an inner lobby with deli and outdoor prepared for the outdoors. These spaces are equipped with the near advanced technologies in lighting and audiovisual systems.

This center is primarily intended learning musical language and instrumental practice. Although they can use the theater or auditorium for their public performances, students commonly used EMVIC Joan Anglada Room with 100 seats.

• Can Serratosa

In this old edifice administrative eye spaces, faculty and many of the stores were located, in add-on to access to the reception of the School of Music from the common areas that connect theater and auditorium Can Serratosa

Materials

The interior walls are coated with gold brass sheets in black stone color and looking to the outside, covers both combined with zinc terminated.

• Smoke control

Due to its unique geometry of the building has a sophisticated smoke control system, especially in the phase area, foyer area and patio.

The stage area is 10 calendar aerators installed dual-gate, with a level of acoustic attenuation of 33 dB Rw.
In the foyer and patio areas fume evacuation is performed through natural vents located in skylights on the highest indicate of the roof of these areas. LWN two aerators 1.300×220 mm and two LWN of 1.400×4.000 mm, and 6 aerators model Colt Kamaleon-5 were placed, all constructed from extruded aluminum profile with shapes, dimensions and characteristics adapted to the compages. The contribution of air necessary to ensure the proper functioning of smoke control organization in these areas is performed through the hinterland Entrance hall past 6 Natural aerators lamas Colt model Coltlite LWN of 1.600×2.500 mm synthetic with extruded aluminum and drinking glass louvers.

• Acoustics

Windows and doors for soundproofing

The side and rear walls in the different rooms Plateras been covered with diffusing elements in order to obtain an optimum sound impression infinite and prevent the occurrence of palpitate echoes. Approximately 4,000m2 synthetic sound absorbing canvass 7 kg / m2 and but three.5 mm thick were used

In the amphitheater absorbing elements are placed and took into account the proper inclination of the unlike sections of the fake coffered ceiling in order to go a good sound. In society to achieve the required levels of sound insulation in every classroom has designed a floating slab, a simulated self-supporting insulated roof and wall linings laminar gypsum lath walls. This design is called a "box in a box".

We accept searched the appropriate components in windows and doors to ensure proper isolation from the exterior and hallways.
During the construction phase of the building, has fabricated careful monitoring of work that has ensured a correct implementation of solutions on the audio-visual conditioning, soundproofing, noise control and vibration of facilities and acoustic impact on neighboring buildings.

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Source: https://en.wikiarquitectura.com/building/l-atlantida-performing-arts-center-of-osona/

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